Metzengerstein
Edgar Allan Poe
Published in 1832
Part 3 of 3, read parts 1 and 2.
Note: Metzengerstein was Edgar Allan Poe’s first published work. Submitted by a 22 year old Poe to a writing contest in Philadelphia’s Saturday Courier, it did not win but was later published by the Courier in January, 1832. Critics and scholars have long debated if the story is meant to be a serious gothic tragedy, or a comedic parody of gothic fiction.
…From this date a marked alteration took place in the outward demeanor of the dissolute young Baron Frederick Von Metzengerstein. Indeed his behavior disappointed every expectation, and proved little in accordance with the views of many a manœuvring mamma—while his habits and manners, still less than formerly, offered anything congenial with those of the neighboring aristocracy. He was never to be seen beyond the limits of his own domain, and, in this wide and social world, was utterly companionless—unless, indeed, that unnatural, impetuous, and fiery-colored horse, which he henceforward continually bestrode, had any mysterious right to the title of his friend.
Numerous invitations on the part of the neighborhood for a long time, however, periodically came in. “Will the Baron honor our festivals with his presence?” “Will the Baron join us in a hunting of the boar?”—“Metzengerstein does not hunt”; “Metzengerstein will not attend” were the haughty and laconic answers.
These repeated insults were not to be endured by an imperious nobility. Such invitations became less cordial—less frequent—in time they ceased altogether. The widow of the unfortunate Count Berlifitzing was even heard to express a hope—“that the Baron might be at home when he did not wish to be at home, since he disdained the company of his equals; and ride when he did not wish to ride, since he preferred the society of a horse.” This to be sure was a very silly explosion of hereditary pique; and merely proved how singularly unmeaning our sayings are apt to become, when we desire to be unusually energetic.
The charitable, nevertheless, attributed the alteration in the conduct of the young nobleman to the natural sorrow of a son for the untimely loss of his parents—forgetting, however, his atrocious and reckless behavior during the short period immediately succeeding that bereavement. Some there were, indeed, who suggested a too haughty idea of self-consequence and dignity. Others again (among whom may be mentioned the family physician) did not hesitate in speaking of morbid melancholy, and hereditary ill-health: while dark hints, of a more equivocal nature, were current among the multitude.
Indeed the Baron's perverse attachment to his lately-acquired charger—an attachment which seemed to attain new strength from every fresh example of the animal's ferocious and demon-like propensities—at length became, in the eyes of all reasonable men, a hideous and unnatural fervor. In the glare of noon—at the dead hour of night—in sickness or in health—in calm or in tempest—in moonlight or in shadow—the young Metzengerstein seemed rivetted to the saddle of that colossal horse, whose intractable audacities so well accorded with the spirit of his own.
There were circumstances, moreover, which, coupled with late events, gave an unearthly and portentous character to the mania of the rider, and to the capabilities of the steed. The space passed over in a single leap had been accurately measured, and was found to exceed by an astounding difference, the wildest expectations of the most imaginative. The Baron, besides, had no particular name for the animal, although all the rest in his extensive collection were distinguished by characteristic appellations. His stable, too, was appointed at a distance from the rest; and with regard to grooming and other necessary offices, none but the owner in person had ventured to officiate, or even to enter the enclosure of that particular stall. It was also to be observed, that although the three grooms, who had caught the horse as he fled from the conflagration at Berlifitzing, had succeeded in arresting his course, by means of a chain-bridle and noose—yet no one of the three could with any certainty affirm that he had, during that dangerous struggle, or at any period thereafter, actually placed his hand upon the body of the beast.
Instances of peculiar intelligence in the demeanor of a noble and high spirited steed are not to be supposed capable of exciting unreasonable attention, especially among men who, daily trained to the labors of the chase, might appear well acquainted with the sagacity of a horse, but there were certain circumstances which intruded themselves per force, upon the most skeptical and phlegmatic; and it is said there were times when the animal caused the gaping crowd who stood around to recoil in silent horror from the deep and impressive meaning of his terrible stamp—times when the young Metzengerstein turned pale and shrunk away from the rapid and searching expression of his earnest and human-looking eye.
Among all the retinue of the Baron, however, none were found to doubt the ardor of that extraordinary affection which existed on the part of the young nobleman for the fiery qualities of his horse, at least, none but an insignificant and misshapen little page, whose deformities were in every body's way, and whose opinions were of the least possible importance. He (if his ideas are worth mentioning at all) had the effrontery to assert that his master never vaulted into the saddle, without an unaccountable and almost imperceptible shudder—and that, upon his return from every long-continued and habitual ride, an expression of triumphant malignity distorted every muscle in his countenance.
One tempestuous night, Metzengerstein, awaking from a heavy and oppressive slumber, descended like a maniac from his chamber, and mounting in great haste, bounded away into the mazes of the forest. An occurrence so common attracted no particular attention, but his return was looked for with intense anxiety on the part of his domestics, when, after some hour's absence, the stupendous and magnificent battlements of the Palace Metzengerstein, were discovered crackling and rocking to their very foundation, under the influence of a dense and livid mass of ungovernable fire.
As the flames, when first seen, had already made so terrible a progress that all efforts to save any portion of the building were evidently futile, the astonished neighborhood stood idly around in silent and apathetic wonder. But a new and fearful object soon rivetted the attention of the multitude, and proved how much more intense is the excitement wrought in the feelings of a crowd by the contemplation of human agony, than that brought about by the most appalling spectacles of inanimate matter.
Up the long avenue of aged oaks which led from the forest to the main entrance of the Palace Metzengerstein, a steed, bearing an unbonneted and disordered rider, was seen leaping with an impetuosity which out-stripped the very Demon of the Tempest, and extorted from every stupified beholder the ejaculation—“horrible!”
The career of the horseman was indisputably, on his own part, uncontrollable. The agony of his countenance—the convulsive struggle of his frame—gave evidence of superhuman exertion: but no sound, save a solitary shriek, escaped from his lacerated lips, which were bitten through and through in the intensity of terror. One instant, and the clattering of hoofs resounded sharply and shrilly above the roaring of the flames and the shrieking of the winds—another, and, clearing at a single plunge the gate-way and the moat, the steed bounded far up the tottering stair-cases of the palace, and, with its rider, disappeared amid the whirlwind of chaotic fire!
The fury of the tempest immediately died away, and a dead calm sullenly succeeded. A white flame still enveloped the building like a shroud, and, streaming far away into the quiet atmosphere, shot forth a glare of preternatural light; while a cloud of smoke settled heavily over the battlements in the distinct colossal figure of—a horse.
(Fin.)
Coming Next to Edgar Allan Poe Fortnightly:
08/28: a poem.
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